‘Children ask, occasionally, but I don’t think an adult ever has. What do you see with that eye – the bad one? I say: well, you know when you go into a very dark room and shut the door and close your eyes? That. That’s what I see.‘
More in the Guardian Review
Harriet will be talking about Her at West End Lane Books in West Hampstead at 7:30pm on 25th June; and at Waterstones Hampstead at 7pm on 8th July. Please contact the bookshops for more information.
‘And then when the drugs, incredibly, worked (they don’t always), when the text started re-appearing on the page, I felt a strong desire to get writing, partly because I knew I didn’t have endless time, and partly because I wanted to lose myself in another story. I needed to get out of my head, with its rather grim and sad preoccupations, and try out someone else’s for a change.’
More on the W&N blog here
‘It feels both economical and satisfying to put places so familiar I had almost stopped noticing them into my fiction: the stepped terraces of Highgate New Town, the arctic cliff of the Whittingon’s facade after dark, Pond Square’s dappled shade on a hot summer afternoon.’ See more at kentishtowner
‘Harriet Lane is a deft conjurer of menacing middle-class scenarios. In her 2012 debut, Alys, Always, the unfulfilled Frances exploits a car crash victim’s dying words to insinuate her way into the lives of the dead woman’s literary family. It earned Lane comparisons with Patricia Highsmith and Anita Brookner.
‘This second novel also involves envious women pressing their noses up to the window of another’s glossier-seeming life. In Her, a taut revenge drama, the same events are recounted in alternate chapters from the separate perspectives of two women in their late 30s who have met by apparent accident.’
Read the full review here
Harriet is taking part in Alex Clark’s Rising Stars event at 2.30 (venue: Stoke Newington Library).
More details here