On the writing of Her

‘And then when the drugs, incredibly, worked (they don’t always), when the text started re-appearing on the page, I felt a strong desire to get writing, partly because I knew I didn’t have endless time, and partly because I wanted to lose myself in another story. I needed to get out of my head, with its rather grim and sad preoccupations, and try out someone else’s for a change.’

More on the W&N blog here

The Independent on Her: ‘There is forensic social observation here’

‘Harriet Lane is a deft conjurer of menacing middle-class scenarios. In her 2012 debut, Alys, Always, the unfulfilled Frances exploits a car crash victim’s dying words to insinuate her way into the lives of the dead woman’s literary family. It earned Lane comparisons with Patricia Highsmith and Anita Brookner.
‘This second novel also involves envious women pressing their noses up to the window of another’s glossier-seeming life. In Her, a taut revenge drama, the same events are recounted in alternate chapters from the separate perspectives of two women in their late 30s who have met by apparent accident.’

Read the full review here